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For Whom the Bell Tolls
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For Whom the Bell Tolls

Select a Chapter:
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
 
Chapter 10


Summary
In this particularly long chapter, Jordan, Maria and Pilar continue up the mountain to meet with the other guerilla leader, El Sordo. Pilar insists on stopping to rest and plops her feet into an icy stream. She goes on at length about how ugly she is, despite both younger people telling her otherwise. Then, although Jordan is ready to leave, and although she doesn't think Maria should hear, she tells the lovers the story of the Republican uprising against the fascists in her village. Two lines of peasants wielding flays and other farm implements were formed like an aisle leading to a cliff, and the Fascists of the town, who had been until then well-to-do shopkeepers and such, were forced to run between the lines of drunken angry men and forced over the cliff. Inside the ayuntamiento, the town hall, which was held by the leader Pablo, the village priest prayed with the remaining Fascists as they awaited their turn to run the gauntlet. Finally, the mob stormed the building and killed the rest of the men, including the priest. Maria is shaken by the story and refuses to hear Pilar tell the follow-up story of when the Fascists retaliated.

Analysis
Hemingway here writes of the brutal madness that overtakes man in violent situations when the strictures holding society in place are loosened. It is a vivid portrait of mob mentality. Placed on an up/down continuum, as the characters are placed on the mountain, humans can only move up or move down, or can do bad or good. The farming implements/weapons used against the Fascists symbolically weed out the Fascists and demonstrate that the peasants have taken control. Pilar is forced to look on, significantly standing precariously on a chair, as everything around her disintegrates and the people she has known all her life, who represent the government, the bankers, the priests-the mainstays of society-are murdered, maimed and burned. This chapter also posits Pablo as a brutal leader unlike the softened character we have seen in the last nine chapters. However, that night when Pilar slept with Pablo, he did not want to (or was perhaps unable to) make love, unlike bullfighters, Pilar says, who were always amorous after violence.

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