Chapter 40
Back at Tara,
Scarlett's heart swells with gratitude for Will, who has put everything in good
order. Will tells her that after the cotton harvest in the fall, she need not
send any more money. Tara will be self-sufficient and he will be married to
Suellen, and no longer be in the position of hired hand.
Gerald's funeral
takes place amid much hostility towards Suellen for betraying the Confederate
cause and Gerald. Ashley reads the funeral service. Will makes a speech
announcing his engagement to Suellen. He asks that no one speak after him, in
order to prevent outspoken people like Grandma Fontaine and Mrs. Tarleton
calling Suellen a murderess and a traitor. Will goes on to say that nothing
from the outside could "lick" Gerald, but he was finally "licked from the inside"
when Ellen died, and "folks whose mainsprings are busted are better dead."
People's respect for Will, and for the truth of what he says, prevents them
from criticizing Suellen.
Grandma Fontaine
asks Scarlett if she approves of Will, of poor "Cracker" stock, marrying her
sister. When Scarlett says she does, Grandma Fontaine warms to Scarlett for her
pragmatism even though Grandma disapproves of Suellen marrying out of her
class. Grandma says the secret of survival is to change with changing times,
accept the inevitable, and use people and then discard them. Those who do not
adapt, who have no more to them than "money and darkies," "will be Cracker in
another generation." She cites Cathleen Calvert, now a poor white. Grandma
predicts that if the Wilkes family pulls through, it will be thanks to Melanie,
not Ashley, who is "as helpless as a turtle on his back."
Grandma's words
mean little to Scarlett, who has no talent for reflective thought, except the
insult to Ashley, which angers her. Grandma warns Scarlett that she is smart
about money but not about people.
Chapter 41
Scarlett gives
Gerald's gold watch to Pork as a token of thanks for his loyalty. Then she
summons Ashley and offers him a half-interest in her mill. She explains that
she cannot run the mills herself because of her pregnancy. Ashley listens
without looking at her. Then he launches into a speech full of bitterness and
self-hatred for allowing her to leave Tara and marry Frank. He feels ashamed
that he was not able to raise the tax money and that she had to sell herself to
shelter him and his family.
Ashley refuses
Scarlett's offer because it would mean continuing to live off her charity. He
intends to go North and work in the bank. He says this is his last chance to
stand on his own feet, and that if he goes to Atlanta and works for Scarlett,
he is "lost forever." This is a reference to his continuing love for her.
Scarlett
collapses in a fit of tears. Melanie bursts in and comforts Scarlett. Scarlett
explains about her offer to Ashley and says that now that he has refused to
work for her, she will have to sell the mill and they will all starve. Melanie
is indignant that anyone should upset Scarlett, and Scarlett silently realizes
that she has an ally in Melanie. Melanie demands of Ashley how he can possibly
hesitate after all Scarlett has done for them. If he accepts her offer, they
can move to Atlanta and live among friends, and perhaps get their own house.
Filled with desperate bitterness, Ashley agrees, saying, "I cannot fight you
both."
Suellen and Will
marry, Carreen enters the convent, and Ashley, Melanie and Beau go to live in
Atlanta in a house adjacent to Aunt Pittypat's. Because of her kindness,
hospitality and adherence to the old traditions, Melanie soon becomes the
much-loved center of Old Atlanta society. The gatherings at Aunt Pittypat's
depress Scarlett as they always follow the same pattern: the ladies complain
about hard times and ask if the good times will return, and the gentlemen say
that they will. But everyone knows the gentlemen are lying. Scarlett wishes
that everyone would look forward, not back.
Now that
Scarlett is no longer actively supervising her mills, both are losing money.
Hugh is incompetent and a poor trader, and the freed slaves he employs often do
not turn up for work. She decides to lease convicts to work the mills. Convicts
lack the usual workers' rights, and any means can be employed to make them work
without having the Freedmen's Bureau interfere. Frank is shocked by her
decision, feeling that convict labor is more inhumane than slave labor because
of the way convicts could be treated. Scarlett also intends to replace Hugh
with Johnnie Gallegher, who is known to be a ruthless supervisor of workers.
Though Scarlett
makes excuses for Ashley, he is as incompetent as Hugh. He is also unhappy,
with a "queer dead look in his eyes."
Scarlett decides
that she will not have any more children.
Chapter 42
Scarlett gives
birth to an ugly girl, whom she names Ella Lorena. In the same week, a black
man who boasted of rape is arrested, but before he can be brought to trial, the
Ku Klux Klan hangs him. Yankee soldiers make many arrests and rumors abound of
mass hangings by the Yankees and an uprising by blacks against whites. Scarlett
gives thanks that Ashley is too sensible to belong to the Klan and Frank too
timid.
Frank forbids
Scarlett to leave the house while conditions are so dangerous. Both her mills
are standing idle because Hugh and Ashley will not leave their families alone
all day. Scarlett goes to Melanie and vents her fury over Frank's edict, saying
she will walk to the mills. Melanie begs Scarlett not to take risks and
promises that she will think of a solution. Later, a one-eyed and one-legged
man called Archie arrives and tells Scarlett that Melanie has sent him to drive
her around. He announces that he hates black people and Yankees and does not
think much of women, either, but Melanie has been good to him by letting him
sleep in her cellar, so he is doing as she asked. Archie becomes Scarlett's driver
and bodyguard and an Atlanta institution, being hired by other ladies, when
Scarlett does not need him, to escort them around town.
Scarlett
mentions to Archie that she is planning to take on convict labor in the mills.
He threatens to quit if she does. He says leased-out convicts are treated badly
by their employers, being frequently beaten, starved and killed. He tells
Scarlett that he was a convict himself for forty years, imprisoned for killing
his wife after she committed adultery with his brother. The Confederates
released him on condition that he fought in the war. He lost his leg and eye in
the fighting.
Scarlett hears
that the Georgia legislature has refused to ratify an amendment to the
Constitution that would give the vote to black people. Ashley predicts that the
Yankees will wreak a terrible punishment on the South, perhaps imposing a black
legislator or governor on the state, or harsh military rule. Both Ashley and
Scarlett think that Georgia should go along with what the Yankees want.
Scarlett leases
five convicts for each of her mills. Archie, in line with his threat, quits,
and her family and friends think he is right. She replaces High with Johnnie
Gallegher, giving him a free hand to treat the convicts as he sees fit. The
first week, Johnnie makes more money with five convicts than Hugh did with ten
freed slaves. Ashley does little better with convicts than he did with freed
slaves, and seems to be gnawed by some internal pain.
Analysis of
Chapters 40-42
Scarlett reaches
new heights of ruthlessness in her decision to employ convict labor, and the
episode shows how the hardships of the post-war period have given license to
this aspect of her character. She would not have countenanced any involvement
with convicts before the war, when she was more concerned with honorable
behavior, or at least the appearance of honor. Convicts had no rights and no
laws to protect them, and were treated far worse than slaves, being beaten,
starved or even murdered by employers or overseers. Everyone (apart from
Scarlett's mill manager, Johnnie Gallegher) thinks that Scarlett's decision is
unacceptable: Ashley, Frank, Uncle Peter and Mammy, friends and neighbors. Even
Archie, a convict and murderer, refuses to drive Scarlett or be in the same
carriage with her. In her prioritizing of profit above all other
considerations, Scarlett has placed herself far beyond the values that society
finds acceptable. She compounds an already cruel decision by giving Johnnie
Gallegher free rein to treat the convicts as he likes. Scarlett and Johnnie are
ruthless people made positively brutal by the collapse of social refinements
and the rise of harsh conditions.
Scarlett takes
another morally dubious decision in emotionally blackmailing Ashley into
accepting the managership of the mill, so that she can keep him near her.
Ashley is already bitter and ashamed at living off Scarlett's charity, and
tortured by his frustrated love for her. His humiliation is complete when he
reluctantly accepts her offer. He is, he says, "lost forever" and set to bury
"my masculine pride, my self-respect and, if you choose to call it, my immortal
soul." Thereafter, he grows ever more pained, grim, and tired in demeanor.
Ashley's disintegration parallels Scarlett's rise in the business world: in a sense,
he pays for her success with his soul.
The unexpected
power of Melanie's unassuming personality is evident when, as usual seeing the
good in everyone, she attributes worthy motives to Scarlett's job offer to
Ashley. In reality, Scarlett is being entirely selfish. But, faced with
Melanie's grateful joy, Scarlett has enough vestiges of conscience to feel
shame - a rare occurrence with her.
Melanie's quiet
courage again surfaces in her insistence to the genteel yet vindictive ladies
of her social circle that she will tend the graves of dead Yankees in the
South, just as she would hope that some kind Yankee woman would tend the graves
of Southerners who died in the North. Melanie recognizes that some values -
such as the Christian principle of "as you sow, so shall you reap," and respect
for the dead, irrespective of who they are - transcend patriotism. Her
character is proof that there are different kinds of strength and heroism than
Scarlett's. Even after Melanie has confronted the ladies with her dangerous
views, they reaffirm their love for her, in contrast to Scarlett, whose
confrontations leave resentment and disapproval in their wake. This is because
Melanie's words and actions spring from a generous heart, whereas Scarlett's
often spring from self-interest. |