Mr.
Tench writes a letter to his wife in England, whom he has not
seen for many years. He is interrupted by a visit from a patient.
Padre José
goes for a walk to the local cemetery, where a grave is being
dug for a child’s coffin. He walks away, but an old man
asks him for a prayer. He is the five-year-old girl’s
grandfather. The dead girl’s mother, father and uncle
are also present. Padre José refuses because saying a
prayer would be against the law. They beg him to pray. He pleads
with them to be left alone, saying that he is unworthy. He is
in despair, and he knows this is an unforgivable sin.
The woman continues
to read about Juan to her children. Juan becomes a priest just
as the persecution of the Church in Mexico is about to begin.
The boy dislikes the story and says he does not believe it.
His mother sends him to his father. His father explains what
the Catholic Church had meant to them as children. It kept them
occupied and was a focus for community life. The son tells him
about the games he and his friends play, in which each plays
the part of one of the murdered priests that they have heard
about. The father explains that they feel deserted by the loss
of their church.
Mrs. Fellows tutors
her daughter in history, following the syllabus sent to her
by a correspondence course in London. Then she tells Coral to
see the cook and order lunch. Coral takes care of this and other
family business, including organizing for the bananas to be
taken down to the quay. She is used to doing adult tasks. In
the barn she finds an empty beer bottle and some crosses scrawled
in chalk on the ground—made by the priest.
The Chief of Police
and the lieutenant walk down the street together. The Chief
says that the Governor has given permission for them to do anything
they like in order to catch the priest. If he is not caught
before the rains come, the Governor will hold the lieutenant
responsible. The lieutenant says he will take hostages from
every village, and will shoot them as often as is necessary.
They part company. In the plaza, the lieutenant plays with some
children, showing them his gun. He believes he is fighting for
them, to eliminate all the corruption in society that had made
his own childhood miserable.
Analysis
This chapter shows how much the adult population of the town
depends on the church, and how devoted they are to it, in spite
of the persecution it suffers. The grieving family at the graveside
of the little girl, for example, feel that merely a prayer said
by a priest will ease their pain. The woman who reads to her
children, and her husband, are also clearly deeply committed
to their faith. But the boredom of the boy suggests that the
hold of religion on the young is less strong, perhaps even non-existent.
If this is so, the lieutenant is succeeding in his desire to
eradicate all traces of religion from their society. He believes
that it is the children that he is fighting for.
It would have been
easy for Greene to have written a melodrama, in which a good
priest is hunted down by a bad lieutenant. In fact, when a film
version of The Power and the Glory was made in the 1950s, this
indeed was the form it took, which made the film a travesty
of Greene’s novel. Greene’s premise is far more
intriguing. We have already seen that the priest is hardly the
stuff of which heroes are made, while the lieutenant, while
he is certainly ruthless, is also idealistic. As this chapter
makes clear, he cares deeply about his mission, and his ambition
is not for himself but for society as a whole. His philosophy
is socialistic in the sense that he is prepared to sacrifice
individuals to achieve his goals: the goals of the group are
more valid than the rights of individuals. |