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The House on Mango Street: Novel Summary: Alicia & I Talking on Edna's Steps

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The House on Mango Street
Hairs
Boys & Girls
My Name
Cathy Queen of Cats
Our Good Day
Laughter
Gil's Furniture Bought & Sold
Meme Ortiz
Louie, His Cousin & His Other Cousin
Marin
Those Who Don't
There Was an Old Woman She Had So Many Children She Didn't Know What to Do
Alicia Who Sees Mice
Darius & the Clouds
And Some More
The Family of Little Feet
A Rice Sandwich
Chanclas
Hips
The First Job
Papa Who Wakes Up Tired in the Dark
 
Born Bad
Elenita, Cards, Palm, Water
Geraldo No Last Name
Edna's Ruthie
The Earl of Tennessee
Sire
Four Skinny Trees
No Speak English
Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays
Sally
Minerva Writes Poems
Bums in the Attic
Beautiful & Cruel
A Smart Cookie
What Sally Said
The Monkey Garden
Red Clowns
Linoleum Roses
The Three Sisters
Alicia & I Talking on Edna's Steps
A House of My Own
Mango Says Goodbye Sometimes

Alicia & I Talking on Edna's Steps

Summary
Esperanza tells Alicia that the house on Mango Street is not truly her house. After a year in the house, she still feels as though she does not belong. Alicia, however, insists: "Like it or not you are Mango Street, and one day you'll come back too." Esperanza says she will not, until someone makes it better. "Who's going to do it?" asks Alicia. "The mayor?" Esperanza laughs: "Not the mayor."
 
Analysis
This short scene echoes much of the language and themes of the previous one ("The Three Sisters"), further developing the potential for Esperanza's return to Mango Street. The new note that the scene introduces is the possibility that Esperanza can somehow make the Mango Street community better. Just as one cannot allow or wait for other people to define one's own identity, Esperanza and Alicia know that they cannot wait for "the mayor" or any outside (and, significantly, traditionally male) authority to improve their community. That responsibility rests with them, and the novel's conclusion, which shortly follows this scene, indicates that Esperanza's part in making the community better is to tell its story. Again, Cisneros is alerting her readers to the potential power of narrative.

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