Novelguide: Search by Title

 Novelguide: Search by Author

The House on Mango Street: Novel Summary: Beautiful & Cruel

Select a Chapter:

The House on Mango Street
Hairs
Boys & Girls
My Name
Cathy Queen of Cats
Our Good Day
Laughter
Gil's Furniture Bought & Sold
Meme Ortiz
Louie, His Cousin & His Other Cousin
Marin
Those Who Don't
There Was an Old Woman She Had So Many Children She Didn't Know What to Do
Alicia Who Sees Mice
Darius & the Clouds
And Some More
The Family of Little Feet
A Rice Sandwich
Chanclas
Hips
The First Job
Papa Who Wakes Up Tired in the Dark
 
Born Bad
Elenita, Cards, Palm, Water
Geraldo No Last Name
Edna's Ruthie
The Earl of Tennessee
Sire
Four Skinny Trees
No Speak English
Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays
Sally
Minerva Writes Poems
Bums in the Attic
Beautiful & Cruel
A Smart Cookie
What Sally Said
The Monkey Garden
Red Clowns
Linoleum Roses
The Three Sisters
Alicia & I Talking on Edna's Steps
A House of My Own
Mango Says Goodbye Sometimes

Beautiful & Cruel

Summary
Esperanza is regarded, by herself and by others in her family, as "an ugly daughter." Consequently, she sees herself as powerful, like women in movies who are beautiful and cruel. Although Esperanza is apparently not beautiful by superficial standards, she identifies with these women in the films: "Her power is her own. She will not give it away."
 
Analysis
Esperanza believes she is ugly, and that no man will ever come for her. She does not, however, seem overly worried about this fact; indeed, she seems to view it as liberating: "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (that is, for marriage and its obligations, traditionally mostly for women). Here again, the specter of Esperanza's great-grandmother (see "My Name") haunts Esperanza-and, here, again, she rejects it. The vignette is an important articulation of Esperanza's choice never to yield her power to another. The "quiet war" Esperanza declares she has begun is a war for freedom, for independence, for self-actualization, for identity. It thus echoes the novel's overarching theme. Esperanza will forge her identity independent of her family's expectations, and independent of the world of men. Indeed, she will from now on be "one who leaves the table like a man, without putting back the chair or picking up the plate." These few words speak volumes about the power politics inherent in gender identity. In acting like a man, Esperanza is announcing her freedom in a way traditionally reserved only for men: the ability to reject submissive, serving behaviors (i.e., cleaning up after someone else). This vignette is also, therefore, important for understanding the gender politics of Cisneros' book.

 The House on Mango Street Study Guide

Choose to Continue