NovelGuide: The House on Mango Street: Novel Summary: Hips

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The House on Mango Street
Hairs
Boys & Girls
My Name
Cathy Queen of Cats
Our Good Day
Laughter
Gil's Furniture Bought & Sold
Meme Ortiz
Louie, His Cousin & His Other Cousin
Marin
Those Who Don't
There Was an Old Woman She Had So Many Children She Didn't Know What to Do
Alicia Who Sees Mice
Darius & the Clouds
And Some More
The Family of Little Feet
A Rice Sandwich
Chanclas
Hips
The First Job
Papa Who Wakes Up Tired in the Dark
 
Born Bad
Elenita, Cards, Palm, Water
Geraldo No Last Name
Edna's Ruthie
The Earl of Tennessee
Sire
Four Skinny Trees
No Speak English
Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays
Sally
Minerva Writes Poems
Bums in the Attic
Beautiful & Cruel
A Smart Cookie
What Sally Said
The Monkey Garden
Red Clowns
Linoleum Roses
The Three Sisters
Alicia & I Talking on Edna's Steps
A House of My Own
Mango Says Goodbye Sometimes

Hips

Summary
Esperanza, Rachel, Lucy, and Nenny are jumping rope and discussing women's-and their own still-forming-hips: "One day you wake up and they are there. Ready and waiting like a new Buick with the keys in the ignition." Esperanza discusses hips scientifically (as she did the clouds in "Clouds"), while the other girls have different associations with hips: Rachel says they are useful for holding babies, Lucy says they are necessary for dancing, and Nenny says, "If you don't get them you may turn into a man." Gradually, the girls practice swaying and shaking their hips, all except for Nenny.
 
Analysis
This vignette continues the attention paid in "Chanclas" to Esperanza's maturation as a young woman. It also serves, however, to draw readers' attention to the growing gap between Esperanza and her sister. While Esperanza joins Rachel and Lucy in shaking her hips in a still-innocent but also slightly suggestive way (note the rhyme Rachel begins, "Skip, skip/snake in your hips./Wiggle around/and break your lip"), Nenny does not. Notably, she does not "use [her] own song," as Esperanza tells her to; she sings an "old song." She is not making the transition from childhood to adolescence that Esperanza is making; she is, as Esperanza says, perhaps speaking more truth than she knows, "too many light-years away." She is, physically and psychologically, in her own world-the world of childhood that Esperanza and her friends are even now leaving behind. Although Esperanza says that Nenny is "going, going," it is actually she who is moving away.

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