Note: The House on Mango Street is divided, not into chapters, but into a series of short vignettes, ranging in length from less than a page to several pages.

Summary
The narrator, whom we learn later is named Esperanza, recounts past places in Chicago where she and her family-"Mama, Papa, Carlos, Kiki, my sister Nenny and me"-have lived. In the past, her family has rented apartments; now, however, her family owns a small house on Mango Street, a house that does not live up to Ezperanza's dreams of what a house should be. She is embarrassed to admit to a nun from her school that the house is where she lives. Her parents tell her the house on Mango is only temporary, but Esperanza is dubious.

Analysis
Cisneros introduces Esperanza by having her tell us her story in her own voice, which is a child's voice, expressing itself in short sentences and often choppy fragments, yet possessing an inkling of awareness about the adult world-for example, "For the time being, Mama says. Temporary, says Papa. But I know how those things go." Readers thus learn that Esperanza is on the verge of growing up. Her passage into adolescence, her "growing up," will be the dominant theme of the novel. Esperanza's interaction with the nun at the end of the vignette dramatizes the shame Esperanza feels at living in a poor neighborhood. At other times in the book, however, Esperanza will celebrate the unique virtues of her community. In this sense, the opening vignette lays the groundwork for the last vignette (see "Mango Says Goodbye Sometimes").