A

RECENT BIBLIOGRAPHY/DISCOGRAPHY/VIDEOGRAPHY

Compiled by Jennifer C. Post

Amiotte, Arthur. (1987). "The Lakota Sun Dance: Historical and Contemporary Perspectives." In Sioux Indian Religion: Tradition and Innovation, ed. R. J. DeMallie and D. R. Parks. Norman: University of Oklahoma Press.

Bahr, Donald. (1987). "Pima Heaven Songs." In Recovering the Word: Essays on Native American Literature, ed. Brian Swann and Arnold Krupat. Berkeley: University of California Press.

Bahr, Donald; Paul, Lloyd; and Joseph, Vincent. (1997). Ants and Orioles: Showing the Art of Pima Poetry. Salt Lake City: University of Utah Press.

Barker, James H. (1990). "'There's my ancestors singing to me.'" Journal of Alaska Native Arts.

Brisbin, James S. (1986). "The Poetry of Indians" [1878]. In Native American Folklore in Nineteenth-Century Periodicals, ed. W. M. Clements. Athens, OH: Swallow Press; Ohio University Press.

Burch, Sharon, et al. (1994). "New Directions in Native American Music." NARAS Journal5 (1):81-93.

Burton, Bryan. (1993). Moving Within the Circle: Contemporary Native American Music and Dance. Danbury, CT: World Music Press.

Callahan, Alice Anne. (1990). The Osage Ceremonial Dance i'n-lon-schka. Vol. 201 of "The Civilization of the American Indian" series. Norman: University of Oklahoma Press.

Clements, William M. (1996). Native American Verbal Art: Texts and Contexts. Tucson: University of Arizona Press.

Contreras, Don. (1996). We Dance Because We Can: People of the Powwow. Marietta, GA: Longstreet Press.

Cronk, Michael Sam. (1988). "Writing While They're Singing: A Conversation about Longhouse Social Dance Songs." New York Folklore 14(3-4):49-60.

——, comp. (1990). Sound of the Drum. Brantford: Woodland Cultural Centre.

Crowell, Aron. (1992). "Postcontact Koniag Ceremonialism on Kodiak Island and the Alaska Peninsula: Evidence from the Fisher Collection." Arctic Anthropology 29(1): 18-37.

Dailey, Truman W., and Hopkins, Jill D. (1993). "Native American Church Songs of the Otoe-Missouria and Ioway." Proceedings of the 1992 Mid-Atlantic Linguistics Conference and Conference on Siouan/Caddoan Languages, ed. E. Smith and F. Zephir. Columbia: Uni versity of Missouri.

Daniels, Edwin. (1998). Ghost Dancing: Sacred Medicine and the Art of J. D. Challenger. New York: Stewart, Tabori & Chang.

De Cesare, Ruth, ed. (1988). Myth, Music and Dance of the American Indian. Van Nuys, CA: Alfred Publishing.

Densmore, Frances. (1990). Teton Sioux Music and Culture. Lincoln: University of Nebraska Press. Originally published as Teton Sioux Music.

Deyhle, Donna. (1998). "From Break Dancing to Heavy Metal: Navajo Youth, Resistance, and Identity." Youth and Society 30(1):3-31.

Diamond, Beverley M.; Cronk, Sam; and von Rosen, Franziska. (1994). Visions of Sound: Musical Instruments of First Nations Communities in Northeastern America. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press.

Ellis, Clyde. (1990). "'Truly Dancing Their Own Way': The Modern Revival and Diffusion of the Gourd Dance." American Indian Quarterly 14(1): 19-33.

Enrico, John James, and Stuart, Wendy Bross. (1996). Northem Haida Songs. Lincoln: University of Nebraska Press.

Evers, Larry, and Molina, Felipe S. (1989). Wo'i bwikam: Coyote Songs from the Yaqui Bow Leaders' Society. Tucson, AZ: Chax Press.

——. (1987). Yaqui Deer Songs, maso bwikam: A Native American Poetry. Tucson: University of Arizona Press.

Faris, James C. (1990). The Nightway: A History and a History of Documentation of a Navajo Ceremonial. Albuquerque: University of New Mexico Press.

Farnell, Brenda. (1991). "Nak'ota mak'oc'e: An American Indian Storytelling Experience." Yearbook for Traditional Music 23:79-99.

Fletcher, Alice C. (1970). Indian Games and Dances with Native Songs: Arranged from American Indian Ceremonials and Sports. New York: AMS.

——. (1996). The Hako: Song, Pipe, and Unity in a Pawnee Calumet Ceremony. Reprint. Lincoln: University of Nebraska Press.

Frisbee, Charlotte J. (1987). Navajo Medicine Bundles or Jish: Acquisition, Transmission and Disposition in the Past and Present. Albuquerque: University of New Mexico Press.

Gelo, Daniel J. (1999). "Powwow Patter: Indian Emcee Discourse on Power and Identity." Journal of American Folklore 112 (443):40-57.

Gidley, Mick. (1987). "R. B. Townshend's 1903 Snake Dance Photographs in Focus." European Review of Native American Studies 1(2):9-14.

——. (1987). "'The Vanishing Race' in Sight and Sound: Edward S. Curtis's Musicale of North American Indian Life." Prospects 12:58-87.

Giglio, Virginia. (1994). Southern Cheyenne Women's Songs. Norman: University of Oklahoma Press.

Gombert, Greg, ed. (1997). Native American Music Directory, 2nd ed. Summertown, TN: Book Pub. Co. Revised ed. of A Guide to Native American Music Recordings, 1994.

Gooding, Erik D. (1998). "Songs of the People: Plains Indian Music and Recordings, 1968-1996." Notes 55 (1):37-67.

Griffith, James S. (1997). "Waila: The Social Dance Music of the Tohono O'odham." In Musics of Multicultural America: A Study of Twelve Musical Communities, ed. K. Lomell and A. K. Rasmussen. New York: Schirmer Books.

Havnen-Finley, Jan. (1994). The Hoop of Peace. Happy Camp, CA: Naturegraph Publishers.

Heth, Charlotte, ed. (1992). Native American Dance: Ceremonies and Social Traditions. Washington, D.C.: National Museum of the American Indian, Smithsonian Institution.

Hilliker, Rebecca. (1987). "Alaska's Lost Hentage: The Unprecedented Flowering of Drama, Dance and Song in the Nineteenth-Century Potlach of the Northwest Coast Indians." Journal of Popular Culture 21(4):63-76.

Hittman, Michael. (1992). "The 1890 Ghost Dance in Nevada." American Indian Culture and Research Journal 16(4): 123-66.

——. (1998). Wovoka and the Ghost Dance. Expanded ed. Lincoln: University of Nebraska Press.

Hofmann, Johanna. (1997). "Le tambour du pow-wow nord américain, battement du coeur d'un peuple et rythme de sa spiritualité." Cahiers de musiques traditionnelles 10:249-72.

Johnston, Thomas F. (1987). "Athabascan Music and Dance in Alaska: A Survey." Inter-Nord 18:77-85.

——. (1988). "Community History and Environment as Wellspring of Inupiat Eskimo Song Texts" Anthropos 83(1-3):161-71.

——. (1988). "Drum Rhythms of the Alaskan Eskimo." Anthropologie 26(1):75-2.

—— (1988). "Tlingit Dance, Music, and Society." Acta ethnographica 34(1-4):283-324.

—— (1989). Koliganek Dance Songs. Anchorage: University of Alaska.

—— (1989). "Song Categories and Musical Style of the Yupik Eskimo." Anthropos 84(4-6):423-31.

——. (1990). "The Northwest Coast Tlingit Indian Musical Potlatch." South African Journal of Musicology 10:77-99.

——. (1992). ""The Socio-Mythic Contexts of Music in Tlingit Shamanism and Potlatch Ceremonials." The World of Music 34(2):43-71.

Jonaitis, Aldona, ed. (1991). Chiefly Feasts: The Enduring Kwakiutl Potlatch. Seattle: University of Washington Press; New York: American Museum of Natural History.

Jones, Judy, and Olsen, Loran. (1996). "Women and Music in the Plateau." In A Song to the Creator: Traditional Arts of Native American Women of the Plateau, ed. L. A. Ackerman. Norman: University of Oklahoma Press.

Kan, Sergei. (1990). "The Sacred and the Secular: Tlingit Potlatch Songs Outside the Potlatch." American Indian Quarterly 14(4): 55-66.

Keeling, Richard, ed. (1989). Women in North American Indian Music: Six Essays. Special Series, No. 6. Bloomington, IN: Society for Ethnomusicology.

—— (1997). North American Indian Music: A Guide to Published Sources and Selected Recordings. Vol. 5 of Garland Library of Music Ethnology; Vol. 1440 of Garland Reference Library of the Humanities. New York: Garland.

Kozak, David L., and Lopez, David 1. (1999). Devil Sickness and Devil Songs: Tohono O'odham Poetics. Smithsonian Series in Ethnographic Inquiry. Washington, D.C.: Smithsonian Institution.

Kurath, Gertrude P. (1998). "Menomini Indian Dance Songs in a Changing Culture" [1959]. In Wisconsin Folklore, ed. J. P. Leary. Madison: University of Wisconsin.

Lassiter, Luke E. (1997). "Charlie Brown: Not Just Another Essay on the Gourd Dance." American Indian Culture and Research Journal 25(4):75-103.

——. (1998). The Power of Kiowa Song: A Collaborative Ethnography. Tucson: University of Arizona Press.

——. (1999). ""Southwestern Oklahoma, the Gourd Dance, and Charlie Brown." In Contemporary Native American Cultural Issues, ed. D. Champagne. Walnut Creek, CA: AltaMira Press.

Lassiter, Luke E., and Ellis, Clyde. (1998). "Applying Communitas to Kiowa Powwows." American Indian Quarterly 22(4):485-91.

Lee, Dayna Bowker. (1995). Remaining Ourselves: Music and Tribal Memory—Traditional Music in Contemporary Communities. Oklahoma City: State Arts Council of Oklahoma.

Lee, Dorothy Sara. (1979). Native North American Music and Oral Data: A Catalogue of Sound Recordings, 1893-1976. Holdings of the Archives of Traditional Music. Bloomington: Indiana University.

——. (1992). "Historic Recordings and Contemporary Native American Culture: Returning Materials to Native American Communities." In Music and Dance of Aboriginal Australia and the South Pacific, ed. A. M. Moyle. Sydney: University of Sydney.

Leighton, Alexander H., and Leighton, Dorothea C., comps. (1992). Lucky, the Navajo Singer. Albuquerque: University of New Mexico Press.

Levine, Victoria Lindsay. (1997). ""Music, Myth, and Medicine in the Choctaw Indian Ballgame." In Enchanting Powers: Music in the World's Religions, ed. L. E. Sullivan. Cambridge, MA: Harvard University Center for the Study of World Religions.

——. (1997). "Text and Context in Choctaw Social Dance Songs." Florida Anthropologist 50 (4): 183-87.

Levine, Victoria Lindsay, and Chace, Amanda. (1999). Music in the Ruben Cobos Collection of Spanish New Mexican Folklore: A Descriptive Catalogue. Colorado Springs: Hulbert Center Press of the Colorado College.

Lewis, Thomas H. (1990). The Medicine Men: Oglala Sioux Ceremony and Healing. Studies in the Anthropology of North American Indians. Lincoln: University of Nebraska.

Lincoln, Bruce. (1994). "A Lakota Sun Dance and the Problematics of Sociocosmic Reunion." History of Religions 34 (1):1-14.

List, George. (1993). Stability and Variation in the Hopi Song. Vol. 204 of Memoirs of the American Philosophical Society. Philadelphia: American Philosophical Society.

——. (1997). "Hopi Kachina Dance Songs: Concepts and Context." Ethnomusicology 41 (3):413-32.

Little Coyote, Bertha. (1997). Leaving Everything Behind: The Songs and Memories of a Cheyenne Woman. Norman: University of Oklahoma.

Mails, Thomas E. (1998). Sundancing: The Great Sioux Piercing Ritual. Tulsa: Council Oak Books. Originally published as Sundancing at Rosebud and Pine Ridge, 1978.

Masco, Joseph. (1995). "'It Is a Strict Law That Bids Us Dance': Cosmologies, Colonialism, Death, and Ritual Authority in the Kwakwaka'wakw Potlach." Comparative Studies in Society and History 37 (1):41-75.

Matthews, Washington. (1995). The Night Chant: A Navaho Ceremony. Repnnt. Salt Lake City: University of Utah Press. Originally published in 1902.

——. (1997). The Mountain Chant: A Navajo Ceremony. Reprint. Salt Lake City: University of Utah. Originally published in 1887.

McAllester, David. (1995). "Two Navajo Airplane Songs." In The Essence of Singing and the Substance of Song, ed. L. Barwick, et al. Sydney: University of Sydney.

Merriam, Alan. (1989?). Music of the Flathead Indians. N.p.

Mishler, Craig. (1993). The Crooked Stovepipe: Athapaskan Fiddle Music and Square Dancing in Northeast Alaska and Northwest Canada. Music in American Life. Urbana: University of Illinois Press.

Morrison, Ann. (1996). "Christians, Kyries, and kci niwesq: Passamaquoddy Catholic Songs in Historical Perspective." European Review of Native American Studies 10(2): 15-21.

Mount, Guy, ed. (1993). Serrano Songs and Stories. Cottonwood, CA: Sweetlight.

Nettl, Bruno. (1989). Blackfoot Musical Thought: Comparative Perspectives. Kent, OH: Kent State University Press.

——. "Music of European Origin in Blackfoot Indian Musical Culture." In Tradition and Its Future in Music, ed. Tokumaru Yosihiko. Tokyo: Mita Press.

Olson, Ted. (1995). "Walker Calhoun: Cherokee Song and Dance Man." Appalachian Journal 23 (1):70-77.

Osterreich, Shelley Anne, comp. (1991). The American Indian Ghost Dance, 1870 and 1890: An Annotated Bibliography. Bibliographies and Indexes in American History, No. 19. New York: Greenwood Press.

Payne, Richard W (1989). "Indian Flutes of the South-west." Journal of the American Musical Instrument Society 15:5-31.

Powers, William K. (1986). Sacred Language: The Nature of Supernatural Discourse in Lakota. Norman and London: University of Oklahoma Press.

——. (1987). Beyond the Vision: Essays on American Indian Culture. Norman and London: University of Oklahoma Press.

——. (1990). War Dance: Plains Indian Musical Performance. Tucson: University of Arizona Press.

Rahkonen, Carl. (1998). "Special Bibliography: Natalie Curtis (1875-1921)." Ethnomusicology 42 (3):511-22.

Rosman, Abraham, and Rubel, Paula G. (1990). "Structural Patterning in Kwakiutl Art and Ritual." Man 25 (4):620-40.

Schlottner, Michael. (1997). "'World Music' and Native Americans: How Ethnic Are Indians?" European Review of Native Amencan Studies 11 (2):43-46.

Smyth, William, ed. (1989). Songs of Indian Territory: Native American Music Traditions of Oklahoma. Oklahoma City: Center of the American Indian.

Smyth, Willie, and Ryan, Esmé. (1999). Spirit of the First People: Native American Music Traditions of Washington State. Seattle: University of Washington Press. Includes one sound disc.

Speck, Frank, et al. (1993). Cherokee Dance and Drama. Norman: University of Oklahoma Press.

Stevenson, Robert M. (1994). "American Tribal Musics at Contact." Inter-American Music Review 14 (1):1-56.

Swann, Brian, ed. (1992). On the Translation of Native American Literatures. Washington, D.C: Smithsonian Institution.

——. (1993) Song of the Sky: Versions of Native American Song-Poems. Amherst: University of Massachusetts Press.

Toelken, Barry. (1991). "Ethnic Selection and Intensification in the Native American Powwow." In Creative Ethnicity: Symbols and Strategies of Contemporary Ethnic Life, ed. S. Stem and J. A. Cicala. Logan: Utah State University Press.

——. (1996). "From Entertainment to Realization in Navajo Fieldwork." In The World Observed, 1-17, ed B. Jackson and E. D. Ives. N.p.

Turner, Edith. (1990). "The Yaqui Deer Dance at Pascua Pueblo, Arizona." In By Means of Performance: Intercultural Studies of Theatre and Ritual, ed. R. Schechner and W. Appel. Cambridge: Cambridge University Press.

Underhill, Ruth Murray. (1993). Singing for Power: The Song Magic of the Papago Indians of Southern Arizona. Reprint. Tucson: University of Arizona Press.

Valencia, Anselmo; Valencia, Heather; and Spicer, Rosamond B. (1990). "A Yaqui Point of View: On Yaqui Ceremonies and Anthropologists." In By Means of Performance: Intercultural Studies of Theatre and Ritual, ed. R. Schechner and W. Appel. Cambridge: Cambridge University Press.

Vander, Judith (1988). Songprints: The Musical Expenence of Five Shoshone Women. Music in American Life. Urbana: University of Illinois Press.

——. (1997). Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context. Music in American Life. Urbana: University of Illinois Press.

Vennum, Thomas. (1982). The Ojibwa Dance Drum: Its History and Construction. Vol. 2 of Smithsonian Contributions to Anthropology. Washington, D.C.: Smithsonian Institution.

——. (1989). "Ojibway Drum Decor: Sources and Variations of Ritual Design." In Circles of Tradition: Folk Arts in Minnesota. St. Paul: Minnesota Historical Society.

——. (1994). "The Songs of the Great Lakes 'Big Drum' Societies: A Study in Repertoire Diffusion Among American Indian Tribes." In Themes and Variations: Writings on Music in Honor of Rulan Chao Pian, ed. B. Yung and J. S. C. Lam. Cambridge: Department of Music, Harvard University.

Wild, Regne. (1995). "The Ethnomusicologist as Cultural Broker: Natalie Curtis and Indian Songs." European Review of Native American Studies 9 (1):1-4.

——. (1996). Lieder der nordamerikanischen Indianer als kompositorische Vorlagen: in der Zeit von 1890 bis zum Ersten Weltkrieg. Bd. 1 of Berliner Musik Studien. Cologne: Studio.

Williams, Maria P. (1995). "The Wolf and Man/Bear: Public and Personal Symbols in a Tlingit Drum." Pacific Review of Ethnomusicology 7:79-92.

Witmer, Robert. (n.d.) "Stability in Blackfoot Songs, 1909-1968." In Ethnomusicology and Moder Music History, ed. S. Blum, P. V. Bohlman, and D. M. Neuman. Urbana: University of Chicago Press.

Woodside, Jane Harris. (1995). "'Everybody Needs Identity': Reviving Cherokee Dance." In Communities in Motion, ed. S. E. Spalding and J. H. Woodside. Westport, CT: Greenwood Press.

——. (1995). "'I Want to Show These Young People What We Used to Do': A Cherokee Revivalist Remembers—An Interview with Walker Calhoun." In Communities in Motion, ed. S. E. Spalding and J. H. Woodside. Westport, CT: Greenwood Press.

RECORDINGS

American Pow-Wow. 1993. Sound of America Records SOAR-142. Performed by the Cathedral Lakes Singers.

American Warriors: Songs for Indian Veterans. 1997. Ryko RCD 10370.

Amérique du nord: Takini. 1994. Le chant du monde CDM CMT 2741000. Lakota Sioux.

Arawak Mountain Singers: Feel the Thunder. Sound of America Records SOAR 167-CD. New York State.

Canyon Records 45th Anniversary Vintage Collection. 1998. Canyon CR-6000. Vol. 1: Natay: Navajo Singer (CR-6160); Vol. 2: Navajo: Traditional Navajo Songs (CR-6064); Vol. 3: Hopi Butterfly (CR-6072); Vol. 4: Pueblo Songs from San Juan (CR-6065); Vol. 5: Apache: Traditional Apache Songs (CR-6053); Vol. 6: Papago: Traditional Papago Songs (CR-6084); Vol. 7: Old Time O'odham Fiddle Music (CR-8082); Vol. 8: Yaqui Ritual and Festive Music (CR-6140); Vol. 9: Native Music of Northwest Mexico (CR-8001); Vol. 10: Utes: Traditional Ute Songs (CR-6113); Vol. 11: Traditional Music from Warm Springs (CR-6123); Vol. 12: Old Peyote Songs (CR-6054); Vol. 13: Pow-Wow!: Southern Style Pow-Wow Songs (CR-6088); Vol. 14: Kiowa: Traditional Kiowa Songs (CR-6145); Vol. 15: William Horncloud: Traditional Lakota songs (CR-6150); Vol. 16: Porcupine Singers: Traditional Lakota Songs (CR-8007); Vol. 17: Young Grey Horse Society: Songs of the Blackfeet (CR-6164); Vol. 18: The Drums of Poundmaker: Cree Pow-Wow Songs (CR-6157); Vol. 19: Drum Dance Music of the Dogrib (CR-6260); Vol. 20: Traditional Voices: Anthology of Music from Twenty Tribes (CR-7053).

Creation's Journey: Native American Music. 1994. Smithsonian Folkways CD SF 40410.

Dancing Buffalo: Cornel Pewewardy and the Alliance West Singers. 1994. Music of the World CDT MOW 130. Kiowa and Comanche.

Heartbeat: Voices of First Nations Women. 1995. Smithsonian Folkways SF CD 40415.

Heartbeat 2: More Voices of First Nations Women. 1998. Smithsonian Folkways SF CD 40455.

Honor the Earth Powwow: Songs of the Great Lakes Indians. 1990. Ryko RCD 10199.

Music of New Mexico: Native American Traditions. 1992. Smithsonian Folkways CD SF 40408s.

Navajo Songs. 1992. Smithsonian Folkways CD SF 40403.

Navajo Songs from Canyon de Chelly. 1990. New World Records 80406-2. Arizona.

Oku shareh: Turtle Dance Songs of San Juan Pueblo. 1993. New World Records 80301-2.

Plains Chippewa/Métis Music from Turtle Mountain. 1992. Smithsonian Folkways CD SF 40411.

Songs and Dances of the Eastern Indians from Medicine Spring and Allegany. 1985. New World Records 80337-2.

Songs of My People. 1995. Peter Garcia. Music of the World CDT-133. Pueblo.

Songs of the Navajo: Kee Kinlechene and Yátzá. 1994. JVC VICG-5334.

When the Earth Was Like New: Western Apache Songs and Stories. 1994. World Music Press WMP 015 CD.

Wood That Sings: Indian Fiddle Music of the Americas. 1997. Smithsonian Folkways SF 40472.

VIDEOS

The American Indian Dance Theatre: Finding the Circle. 1989. 60 min. New York: WNET.

The American Indian Dance Theatre, Volume 2: Dances for the New Generations. 1996. 60 min. New York: WNET; distributed by Canyon Records and Indian Arts.

Ceremonial Music of San Juan Pueblo: Butterfly and Turtle Dances. 1978. Charlotte Heth. 57 min.

Ceremonial Music of San Juan Pueblo: Eagle, Buffalo, Evening, Cloud, and Deer Dance. 1978. Charlotte Heth. 57 min.

Dancing to Give Thanks. 1988. 30 min. Lincoln, NE: Native American Public Telecommunications Omaha Indian annual powwow.

Dream Dances of the Kashia Pomo: The Bole-Maru Religion Women's Dances. 198?. W. R. Heick. 30 min. Berkeley, CA : University of California Extension Media Center.

The Drummaker. 1990. Mike Herter and Thomas Vennum, Jr. 27 min. Smithsonian Folklife Studies, no. 2A. University Park, PA: Media Sales, Pennsylvania State University. Northern Wisconsin.

Indian Dances of the Zuni Pueblo. 1996. Fernando Cellicion and Millard Clark. 30 min. Moore, OK: Indian Sounds.

Into the Circle: An Introduction to Native American Powwows. 1992. Scott Swearingen. 58 min. Tulsa, OK: Full Circle Communications.

JVC Smithsonian Folkways Video Anthology of Music and Dance of the Americas I: North American Indians. 1988. 55 min. Tokyo: JVC, Victor Company of Japan.

Kashia Men's Dances: Southwestern Pomo Indians. 1990. W. R. Heick. 39 min. Berkeley: University of California Extension Media Center.

Medicine Fiddle. 1991. Michael Loukinen, producer/director. 81 min. Marquette, MI: Up North Films. Métis fiddling and dancing of northern Michigan and Canada.

Music in the World of the Yurok and Tolowa Indians. 1978. Charlotte Heth 56 min. Los Angeles: Office of Instructional Development, University of California; Advanced Video.

Music of the Creek and Cherokee Indians in Religion and Government. 1978. Charlotte Heth. 60 min. Hollywood, CA: Ampac Video.

Music of the Sacred Fire: The Stomp Dance of the Oklahoma Cherokee. 1978 Charlotte Heth. 56 min. Hollywood, CA: Ampac Video.

Naamikaaged: Dancer for the People. 1994. Thomas Vennum. 25 min. Washington, D.C.: Smithsonian Folkways Recordings.

Navajo Traditional Music: Squaw Dance and Ribbon Dance. 1978. Sam Yazzie and Charlotte Heth. 60 min. Hollywood, CA: Ampac Video.

Pepper's Powwow. 1995. Sandra Osawa. 57 min. Seattle: Upstream Productions. Jim Pepper, a contemporary Native American jazz musician.

Rockin' Warriors: A Film 1998. Andy Bausch. 56 min. Luxembourg: Lynx Productions. Native American musicians in Arizona, New Mexico, Germany, and Luxembourg.

Sam Yazzie: Navaho Singer. 1989. Charlotte Heth. 61 min. Burbank, CA: Office of Instructional Development, University of California.

Singing Our Stories 1998. Annie Frasier Henry. 49 min. Montreal, Quebec: National Film Board of Canada. Women in Native American music.

Song Journey. 1994. Jeanine Moret and Arlene Bowman. 57 min. New York: Women Make Movies. Women in the powwow circuit in the United States and Canada in 1993.

The Sunrise Dance. 1994. Gianfranco Norelli. 55 min. New York: Filmmakers Library. Documentary about the Apache puberty rite of a young girl.

Teaching the Music of the American Indian. 1990. Michael Blakeslee. 37 min. Reston, Va.: Music Educators National Conference.

Traditional Music of Native Northwest California: Brush Dance, Feather Dance and Gambling Songs. 1978. Charlotte Heth.. 61 min. Hollywood, CA: Ampac Video.

Winnebago Women: Songs and Stories. 1992. Jocelyn Riley. Madison, WI: Her Own Words Productions.

Wisconsin Powwow. 1996. Thomas Vennum. 42 min. Washington, D.C.: Smithsonian Folkways Recordings.