A

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Drama for Students (DfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN DfS, VOLUME 21, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Theatre, v. 15, September, 1998; v. 19, February, 2002. Copyright © 1998, 2002 by the Theatre Communications Group. All rights reserved. Both reproduced by permission.—CLA Journal, v. 36, December, 1992. Copyright © 1992 by The College Language Association. reproduced by permission of The College Language Association.—French Review, v. 72, December, 1998. Copyright © 1998 by the American Association of Teachers of French. Reproduced by permission.—Modern Chinese Literature and Culture, v. 14, fall, 2002. Copyright © 2002 Modern Chinese Literature and Culture. Reproduced by permission.—Modern Drama, v. 36, March, 1993. Copyright © 1993 by the University of Toronto, Graduate Centre for Study of Drama. Reproduced by permission.—New Republic, September 13, 2000; May 28, 2001. Copyright © 2000, 2001 by The New Republic, Inc. Both reproduced by permission of The New Republic.—New York, June 5, 2000. Copyright © 2000 PRIMEDIA Magazine Corporation. All rights reserved. Reproduced with the permission of New York Magazine.—Orbis Literarum: International Review of Literary Studies, v. 52, 1997. Copyright © 1997 Munksgaard. Reproduced by permission of Blackwell Publishers.—Papers on Language & Literature, v. 33, spring, 1997. Copyright © 1997 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Renaissance Papers, 2000 for "'Divine Zenocrate,' 'Wretched Zenocrate': Female Speech and Disempowerment in Tamburlaine I," by Pam Whitfield. Reproduced by permission.—Romance Studies, v. 17, December, 1999. Copyright © 1999 by University of Wales Swansea. Reproduced by permission.—Southern Quarterly, v. 37, winter, 1999. Copyright © 1999 by the University of Southern Mississippi. Reproduced by permission.—Theatre Research International, v. 23, autumn, 1998 for "Sound Tracks: The Soundscapes of India Song, by Lib Taylor; "The Spatialization of Loss in the Theatre of Marguerite Duras," by Mary Noonan. Oxford University Press 1998. Copyright © International Federation for Theatre Research. Both reproduced with the permission of Cambridge University Press and the respective authors.—Variety, September 10–16, 2001. Copyright © 2001. Reproduced by permission.

COPYRIGHTED MATERIALS IN DfS, VOLUME 21, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Ardolino, Frank. From Thomas Kyd's Mystery Play: Myth and Ritual in "The Spanish Tragedy." Peter Lang Publishing, 1985. Copyright © Peter Lang Publishing, Inc., New York, 1985. Reproduced by permission.—Edwards, Philip. From an introduction to The Spanish Tragedy. Edited and translated by Philip Edwards. Methuen & Co., Ltd., 1959. Introduction, Apparatus Criticus, etc. Copyright © 1959 by Philip Edwards. Reproduced by permission of the author.—Ericksen, Donald. From Oscar Wilde. Twayne Publishers, 1977. Copyright © 1977 by G. K. Hall & Co. All rights reserved. Reproduced by permission of the Gale Group.—Miller, Robert Keith. From "Commercial Success: Lady Windermere's Fan, A Woman of No Importance, and An Ideal Husband," in Oscar Wilde. Frederick Ungar Publishing, 1982. Copyright © 1982 by Frederick Ungar Publishing Co., Inc. Reproduced by permission of The Continuum International Publishing Group.—Paige, Linda Rohrer. From "Southern Firecrackers and 'Real Bad Days': Film Adaptations of Beth Henley's Crimes of the Heart and The Miss Firecracker Contest," in Beth Henley: A Casebook. Edited by Julia A. Fesmire. Routledge, 2002. Copyright © 2002 by Julia A. Fesmire. Reproduced by permission of Taylor & Francis Books, Ltd., and the author.—San Juan, Epifanio Jr. From "The Action of the Comedies," in Oscar Wilde. Edited by Harold Bloom. Chelsea House Publishers, 1985. Reproduced by permission the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN DfS, VOLUME 21, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Ashley, Christopher, Director, actress Cynthia Nixon, and playwright Douglas Carter Beane arrive at the opening night of the play Mondo Drama on May 18, 2003 at the Greenwich House Theater in New York City. Photo by Lawrence Lucier/Getty Images.—Auburn, David, at his home in Williamstown, Massachusetts, shortly after being informed he had won the Pulitzer Prize for Drama for his play Proof, photograph by Alan Solomon. AP/Wide World. Reproduced by permission.—Bombay Street scene, photograph. Sheldan Collins/Corbis. Reproduced by permission.—Brooks, Mel, addresses the audience at New York's St. James Theatre as Nathan Lane, second left, and Matthew Broderick look on after their last performance in The Producers, Sunday, March 17, 2002. AP/Wide World Photos.—Brooks, Mel, New York City, 1966, photograph. AP/Wide World Photos. Reproduced by permission.—"Buddha in Nirvana," painting, Tibet, 18th Century. The Art Archive/Musee Guimet Paris/Dagli Orti (A). Reproduced by permission.—Cigar makers in a Cuban factory being read to by a hired reader, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Corneille, Pierre, illustration. New York Public Library Picture Collection. Reproduced by permission.—Cruz, Nilo, photograph. JemalCountess/WireImage.com. Reproduced by permission.—Downtown Manhattan Skyline in 1998 taken from Liberty Park in New Jersey, photograph. © Joseph Sohm; ChromoSohm Inc./Corbis.—Drawing of a geometric calculation using a semicircle, by Leonardo da Vinci, photograph. © Alinari Archives/Corbis.—Duras, Marguerite, photograph. AP/Wide World Photos. Reproduced by permission.—El Cid (Diaz de Vivar, Rodrigo), illustration. New York Public Library Picture Collection.—Engraving of Christopher Marlowe, photograph. Getty Images. Reproduced by permission.—Great Mosque of Cordoba, photograph by Ruggero Vanni. © Vanni Archive/Corbis.—Harold, Erika, Miss America, walking down aisle on September 21, 2002. AP/Wide World Photos. Reproduced by permission.—Henley, Beth, 1984, photograph. AP/Wide World Photos. Reproduced by permission.—Hindu serving tea to a Colonial woman in an undated photograph, photograph. © Underwood and Underwood/Corbis.—Hussey, Olivia, and Leonard Whiting during the death scene of Franco Zeffirelli's movie of Romeo and Juliet, photograph. Paramount/The Kobal Collection. Reproduced by permission.—"Looking at a Painting of Mt. Fuji," by Suzuki Harunobu, photograph. © Burstein Collection/Corbis. Reproduced by permission.—Northam, Jeremy Philip, as Sir Robert Chiltern, sitting on bed with Cate Blanchett, as Lady Gertrude Chiltern, scene from An Ideal Husband, photograph. The Kobal Collection. Reproduced by permission.—Panama Canal. Panama. Photograph. Bettmann/Corbis. Reproduced by permission.—Parker, Mary-Louise, with her Tony award for Best Performance by a Leading Actress in a Play for Proof, photograph. © Steve Sands/New York Newswire/Corbis.—Playbill cover of As Bees in Honey Drown from the Lucille Lortel Theatre, 1997, directed by Mark Brokaw, photograph. Performing Arts Books, NYC. Playbill ® is a registered trademark of Playbill Incorporated, N. Y. C. All rights reserved. Reproduced by permission.—Seyrig, Delphine, and Didier Flamand, in the film India Song, photograph. The Kobal Collection. Reproduced by permission.—Shakespeare, William, illustration. AP/Wide World Photos. Reproduced by permission.—Silhouette of a couple on a pier at sunset, Captain Dons Habitat, Bonaire, Netherlands Antilles, November 2002. Photograph by Kelly A. Quin. Copyright © Kelly A. Quin.—Stage production of Romeo and Juliet during the death scene, with Ralph Fiennes as Romeo and Sarah Woodward as Juliet at the Open Air Theatre, Regents Park, London, photograph. © Donald Cooper/Photostage.—Stage production still of Tamburlaine with Claire Benedict as Zenocrate and Antony Sher as Tamburlaine in a production directed by Terry Hands, photograph. © Donald Cooper/Photostage.—Still of Claire Danes and Leonardo Di Caprio from the 1996 movie Romeo and Juliet, directed by Baz Luhrman. 20th Century Fox/The Kobal Collection/Morton, Merrick.—Still of Greta Garbo and Fredric March from the 1935 movie Anna Karenina, photograph. © Bettmann/Corbis.—Still of Holly Hunter and Alfre Woodard from the 1989 movie Miss Firecracker, directed by Thomas Schlamme. Corsair Pictures/The Kobal Collection.—Still of Zero Mostel and Gene Wilder from the 1967 movie of The Producers, directed by Mel Brooks. Embassy Pictures/The Kobal Collection.—"Under the Wave off Kanagawa," by Katsushika Hokusai from the series Thirty-Six Views of Mount Fuji, photograph. © Burstein Collection/Corbis.—Watercolour depicting the "Allegory of Justice," photograph. The Art Archive/Castello Sforzesco Milan/Dagli Orti (A).—White sand beach on Paradise Island, Bahamas, February 1996. Photograph by Kelly A. Quin. Copyright © Kelly A. Quin.—Wolfit, Donald, in a scene from Tamburlaine the Great, by Christopher Marlowe, photograph by Maurice Ambler. Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Xingjian, Gao, author photo. © Fougere Eric/Corbis KIPA. Reproduced by permission.—Young men and women dancing and smoking at the Groove Jet, Miami Beach, Florida, September 24, 1999, photograph. AP/Wide World Photos. Reproduced by permission.