Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Drama for Students (DfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN DfS, VOLUME 22, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The Chronicle of Higher Education, v. 46, May 5, 2000 for "Frayn's 'Copenhagen' Plays Well, At History's Expense," by Paul Lawrence Rose. Copyright © 2000 by The Chronicle of Higher Education. Reproduced by permission of the author.—Comparative Drama, v. 35, fall–winter, 2001–2002. Copyright © 2002, by the editors of Comparative Drama. Reproduced by permission.—Critical Quarterly, v. 5, summer, 1963. Copyright © 1963 by Basil Blackwell Ltd. Reproduced by permission of Blackwell Publishing Ltd.—The Drama Review, v. 37, winter, 1993 for "Anna Deavere Smith: Acting as Incorporation," by Richard Schechner. Copyright © 1993 by New York University and the Massachusetts Institute of Technology. Reproduced by permission of the publisher and the author.—English Studies, v. 80, 1999. Copyright © 1999 Swets & Zeitlinger. Reproduced by permission.—Interdisciplinary Science Reviews, v. 27, autumn, 2002. Reproduced by permission.—The Massachusetts Review, v. 42, summer, 2001. Copyright © 2001. Reprinted by permission from The Massachusetts Review.—Modern Drama, v. 37, fall, 1994. Copyright © 1994 by the University of Toronto, Graduate Centre for Study of Drama. Reproduced by permission.—Modern Language Quarterly, v. 27, June, 1966. Copyright © 1966, University of Washington. All rights reserved. Used by permission of the publisher.—The Nation, v. 276, January 27, 2003. Copyright © 2003 by The Nation Magazine/The Nation Company, Inc. Reproduced by permission.—The New Republic, v. 207, July 6, 1992; v. 222, June 19, 2000. Copyright © 1992, 2000 by The New Republic, Inc. Both reproduced by permission of The New Republic.—Newsweek, v. 119, June 1, 1992. Copyright © 1992 Newsweek, Inc. All rights reserved. Reprinted by permission.—The University of Mississippi Studies in English, v. 8, 1990. Copyright © 1990 The University of Mississippi. Reproduced by permission.

COPYRIGHTED MATERIALS IN DfS, VOLUME 22, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Brittin, Norman A. From Thomas Middleton. Twayne Publishers, 1972. Copyright © 1972 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of Thomson Gale.—Bywaters, Barbara L. From Modern American Drama: The Female Canon. Associated University Presses, 1990. Copyright © 1990 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Cordell, Richard A. From Somerset Maugham. Indiana University Press, 1965. Copyright © 1961 by Indiana University Press. All rights reserved. Reproduced by permission.—Gibbs, A. M. From The Art and Mind of Shaw. Macmillan Press, 1983. © A. M. Gibbs 1983. All rights reserved. Reproduced with permission of Palgrave Macmillan.—Hopkins, Lisa. From Medieval and Renaissance Drama in England. Volume 9. Associated University Presses, 1997. © 1997 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Isikoff, Erin. From Look Who's Laughing: Gender and Comedy. Edited by Gail Finney. Gordon and Breach, 1994. Copyright © 1994 by OPA (Amsterdam) B.V. All rights reserved. Reproduced by permission of Taylor & Francis Books Ltd.—Naik, M. K. From W. Somerset Maugham. University of Oklahoma Press, 1966. Copyright 1966 by the University of Oklahoma Press, Publishing Division of the University. Reproduced by permission.—Tancheva, Kornelia. From Experimenters, Rebels, and Disparate Voices: The Theatre of the 1920s Celebrates American Diversity. Praeger, 2003. Copyright © 2003 by Hofstra University. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.