Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Drama for Students (DfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN DfS, VOLUME 23, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

—America, v. 174, May 11, 1996. Copyright 1996 www.americamagazine.org. All rights reserved. Reproduced by permission of America Press. For subscription information, visit www.america magazine.com.—American Theatre, v. 13, July-August, 1996; v. 13, July-August, 1996; v. 17, April, 2000; November, 2004. Copyright © 1996, 2000, 2004, Theatre Communications Group. All reproduced by permission.—Australian, September 23, 2004 for "From Bard to Worse," by Murray Bramwell. Copyright © 2004 Australian. Reproduced by permission of the author.—Boston Globe, April 11, 1982. © Copyright 1982 Globe Newspaper Company. Republished with permission of Boston Globe, conveyed through Copyright Clearance Center, Inc.—Business World (Philippines), February 26, 2002. Copyright 2002 Financial Times Information, Ltd. Reproduced by permission.—Commonweal, v. 132, April 22, 2005. Copyright © 2005 Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.—Gay & Lesbian Review Worldwide, v. 10, September-October, 2003. Copyright 2003 Gay & Lesbian Review, Inc. Reproduced by permission.—Library Journal, April 1, 1979. Copyright © 1979 by Reed Elsevier, USA. Reprinted by permission of the publisher.—Los Angeles Times, August 13, 1990 for "Lee Blessing Takes 3 Women on Trip," by Nancy Churnin./April 23, 1999 for "A Clear View of Family Negotiation," by T.H. McCulloh. Copyright © Tribune Media Services, Inc. Both reproduced by permission of the author.—Modern Drama, v. 38, fall, 1995; v. 41, spring, 1998; v. 32, December, 1998. Copyright © 1995, 1998 by the University of Toronto, Graduate Centre for Study of Drama. All reproduced by permission.—Mosaic, v. 28, June, 1995. Copyright © Mosaic 1995. Acknowledgment of previous publication is herewith made.—Nation, v. 265, November 10, 1997. Copyright © 1997 by The Nation Magazine/The Nation Company, Inc. Reproduced by permission.—National Review, v. 48, June 3, 1996. Copyright © 1996 by National Review, Inc., 215 Lexington Avenue, New York, NY 10016. Reproduced by permission.—New England Review, v. 23, spring, 2002. Copyright New England Review Spring 2002. Reproduced by permission.—New Leader, v. 81, November 30, 1998. Copyright © 1998 by The American Labor Conference on International Affairs, Inc. All rights reserved. Reproduced by permission.—New Republic, April 22, 1996; June 28, 1999. Copyright © 1996, 1999 by The New Republic, Inc. Both reproduced by permission of The New Republic.—New York, v. 37, November 8, 2004. Copyright © 2004 PRIMEDIA Magazine Corporation. All rights reserved. Reproduced with the permission of New York Magazine.—New York Amsterdam News, v. 96, April 14, 2005. Reproduced by permission.—Salon.com, April 19, 2000 for "Down the Vagina Trail," by Pamela Grossman. Copyright 2000 Salon.com. Reproduced by permission of the author.—Saturday Review, April 20, 1957. Reproduced by permission.—Theatre Journal, v. 54, December, 2002. Copyright © 2002, University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—Times Educational Supplement, May 20, 2005. Copyright © The Times Supplements Limited 2005. Reproduced from The Times Educational Supplement by permission.—Toronto Star, March 17, 2001; March 25, 2001. Copyright © 2001 Toronto Star. Both reproduced by permission of Torstar Syndication Services.—Wall Street Journal, May 23, 1989. Copyright © 1989 Dow Jones & Company, Inc. All rights reserved. Reprinted with permission of The Wall Street Journal.—World Literature Today, v. 72, winter, 1998. Copyright © 1998 by World Literature Today. Reproduced by permission of the publisher.

COPYRIGHTED MATERIALS IN DfS, VOLUME 23, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Harris, Thomas J. From Courtroom's Finest Hour in American Cinema. Scarecrow Press, 1987. Copyright © 1987 by University Press of America, Inc. All rights reserved. Reproduced by permission.—Honig, Edwin. From Calderon and the Seizures of Honor. Harvard University Press, 1972. Copyright © 1972 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of the author.—Prida, Dolores. From "The Show Does Go On (Testimonio)," in Breaking Boundaries: Latina Writing and Critical Readings. Edited by Asuncion Horno-Delgado, Eliana Ortega, Nina M. Scott, and Nancy Saporta Sternbach. University of Massachusetts Press, 1989. Copyright © 1989 by The University of Massachusettes Press. All rights reserved. Reproduced by permission.—Rivero, Eliana. From "From Immigrants to Ethnics: Cuban Women Writers in the U.S.," in Breaking Boundaries: Latina Writing and Critical Readings. Edited by Asuncion Horno-Delgado, Eliana Ortega, Nina M. Scott, and Nancy Saporta Sternbach. University of Massachusetts Press, 1989. Copyright © by The University of Massachusettes Press. All rights reserved. Reproduced by permission.