Color Inserts
Architecture. A view of the Pont Neuf and the Louvre, 1680, by unknown painter of the French School. This view illustrates the dramatic presence of the palace, which was built as a medieval fortress and later greatly expanded by a succession of French monarchs who sought to create a residence that would reflect their power and dignity. The Louvre ceased to be a royal residence in 1682, when Louis XIV moved the court to the magnificent Palace of Versailles. THE ART ARCHIVE/MUSÉE CARNAVALET, PARIS/DAGLI ORTI (A)
Francesco Borromini. The Church of S. Agnese in Piazza Navona, Rome, completed 1666. This later work by Borromini, completed by others after his death, displays his characteristic concave facade. ©ALINARI/ART RESOURCE
Bruegel Family. Flowers, by Jan Brueghel the Elder. Jan was the more successful of Pieter the Elder’s two sons and is considered the finest painter of still-lifes of the period. THE ART ARCHIVE/MUSÉE DES BEAUX ARTS STRASBOURG/DAGLI ORTI
Ceramics, Porcelain, and Pottery. Meissen Harlequin with jug by J. J. Kaendler, c. 1738. THE ART ARCHIVE/PRIVATE COLLECTION/EILEEN TWEEDY
Childhood and Childrearing. A Woman and Five Children, 1642. This naturalistic family scene is generally attributed to Antoine Le Nain. It depicts a typical peasant mother and her children, with particular attention to the details of the style and condition of the children’s clothing. THE ART ARCHIVE/NATIONAL GALLERY LONDON/EILEEN TWEEDY
Claude Lorrain. Sea Port with Setting Sun, 1639. This painting is typical of Claude’s subject matter of the 1630s, when he experimented with depicting the qualities of sunlight, and illustrates the skills that would make him arguably the most renowned and influential landscape painter of the Western tradition. THE ART ARCHIVE/MUSÉE DU LOUVRE PARIS/DAGLI ORTI