Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Novels for Students (NfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN NfS, VOLUME 19, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Studies, v. 34, fall, 1993 for "Babitt as Veblenian Critique of Manliness" by Clare Virginia Eby. Copyright © 1993 by the Mid-American Studies Association. Reproduced by permission of the publisher and the author.—Bronte Society Transactions, v. 21, 1996. Copyright © 1996 by The Bronte Parsonage Museum. Reproduced by permission.—Cather Studies, v. 4, 1999. Copyright © 1999 by The University of Nebraska Press. Reproduced by permission.—Christianity and Literature, v. 52, spring, 2003. Copyright 2003 by Conference on Christianity and Literature. Reproduced by permission.—Classical and Modern Literature: A Quarterly, v. 8, winter, 1988 for "Classical Allusion in The Count of Monte Cristo" by Emily A. McDermott. Copyright © 1988 by CML, Inc. Reproduced by permission of the author.—Critique: Studies in Modern Fiction, v. 28, summer, 1987. Copyright © 1987 by Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Henry James Review, v. 22, winter, 2001. © 2001 The Johns Hopkins University Press. Reproduced by permission.—Journal of Popular Culture, v. 33, fall, 1999. Copyright © 1999 by Blackwell Publishers Ltd. Reproduced by permission of Blackwell Publishers.—Modern Age, v. 29, fall, 1985. Copyright © 1985 by Modern Age. Reproduced by permission.—Partisan Review, v. 67, summer, 2000 for "Sex and Race in Wide Sargasso Sea" by Elizabeth Dalton. Copyright © 2000 by Partisan Review. Reproduced by permission of the author.—Religion and the Arts, v. 3, March, 1999. Copyright © 1999 by Koninkltjke Brill NV. Leiden. Reproduced by permission.—Steinbeck Quarterly, v. 14, no. 1–2, winter/spring, 1981 for "Alienation in East of Eden: 'The Chart of the Soul'" by Barbara McDaniel; v. 26, no. 3–4, summer/fall, 1993 for "Steinbeck's Exploration of Good and Evil: Structural and Thematic Unity in East of Eden" by Barbara A. Heavilin. Copyright 1981, 1993 by Steinbeck Quarterly. Both reproduced by permission of the copyright owner and the respective authors.—Texas Studies in Literature and Language, v. 25, 1983 for "Tender Is the Night as a Tragic Action" by Robert Merrill. Reproduced by permission of the publisher and the author.—Twentieth Century Literature, v. 42, fall, 1996. Copyright 1996 by Hofstra University Press. Reproduced by permission.—The World & I, v. 12, February 1, 1997. Copyright © 1997 by News World Communications, Inc. Reproduced by permission.—World Literature Today, v. 73, April 15, 1999. Copyright 1999 by the University of Oklahoma Press. Reproduced by permission of the publisher.

COPYRIGHTED MATERIALS IN NfS, VOLUME 19, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Carpenter, Richard. From "Fiction: The Major Chord," in Thomas Hardy. Twayne Publishers, 1964. Copyright © 1964 by Twayne Publishers, Inc. Reproduced by permission of the Gale Group.—Etheridge, Charles L., Jr. From "Changing Attitudes toward Steinbeck's Naturalism and the Changing Reputation of East of Eden: A Survey of Criticism since 1974," in The Steinbeck Question: New Essays in Criticism. Edited by Donald R. Noble. The Whitston Publishing Company, 1993. Copyright © 1993 by Donald R. Noble. Reproduced by permission of the author.—Morrell, Roy. From "Far from the Madding Crowd as an Introduction to Hardy's Novels," in Critical Essays on Thomas Hardy: The Novels. Edited by Dale Kramer, with the assistance of Nancy Marck. G. K. Hall, 1990. Copyright © 1990. Reproduced by permission of the Gale Group.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NfS, VOLUME 19, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Archbishop Jean Baptiste Lamy, statue located in Santa Fe, New Mexico, photograph. Copyright © Royalty-Free/Corbis. Reproduced by permission.—Atwood, Margaret, 2001, photograph. Copyright © Christopher Felver/Corbis. Reproduced by permission.—Cathedral of Saint Francis, photograph. Copyright © Corbis. Reproduced by permission.—Cather, Willa, photograph. AP/Wide World Photos. Reproduced by permission.—Chevaliers de Fortune prospector's camp, where tens of thousands of hopeful people began the wary trek to the gold fields of the Yukon in Canada, photograph. Hulton/Archive/Getty Images. Reproduced by permission.—Dominica, illustration. The Library of Congress.—Dumas, Alexandre, c. 1850, photograph. Hulton/Archive/Getty Images. Reproduced by permission.—Edmond Dantès and the Abbé Faria from The Count of Monte Cristo, illustration by Alexandre Dumas. Hulton/Archive/Getty Images. Reproduced by permission.—Fitzgerald, F. Scott, photograph. The Library of Congress.—Fitzgerald, F. Scott, with wife Zelda, c. 1921, photograph. Hulton/Archive/Getty Images. Reproduced by permission.—Geisha girls being instructed by their teacher, c. 1955, photograph. Hulton/Archive/Getty Images. Reproduced by permission.—Geisha girls entertaining a group of men, photograph. Hulton/Archive/Getty Images. Reproduced by permission.—Golden, Arthur, c. 1999, photograph. AP/Wide World Photos. Reproduced by permission.—Hardy, Thomas, photograph. Corbis-Bettmann. Reproduced by permission.—James, Henry, photograph. The Library of Congress.—Koestler, Arthur, photograph. Barnabas Bosshart/Corbis. Reproduced by permission.—Lewis, Sinclair, 1929, photograph. AP/Wide World Photos. Reproduced by permission.—London, Jack, photograph. The Library of Congress.—Prisoners laboring outside the Kingston penitentiary, located in Toronto, Canada, 19^th century illustration, photograph. The Library and Archives of Canada. Reproduced by permission.—Rhys, Jean, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Salinas Valley, California, photograph. The Library of Congress.—Scene from the film version of Alexandre Dumas's The Count of Monte Cristo, starring Richard Chamberlain, directed by David Greene, 1974, photograph. Norman Rosemont Productions/The Kobal Collection. Reproduced by permission.—Scene from the film version of F. Scott Fitzgerald's Tender is the Night, starring Jason Robards and Joan Fontaine, directed by Henry King, 1961, photograph. 20th Century Fox/The Kobal Collection. Reproduced by permission.—Scene from the film version of Henry James's The Portrait of a Lady, starring Nicole Kidman, directed by Jane Campion, photograph. The Kobal Collection. Reproduced by permission.—Scene from the film version of Jack London's White Fang, starring Ethan Hawke, directed by Randal Kleiser, photograph. Walt Disney/The Kobal Collection. Reproduced by permission.—Scene from the film version of Jean Rhys's Wide Sargasso Sea, starring Nathaniel Parker, 1993, photograph. New Line/Laughing Kookaburra/The Kobal Collection/Wright, Kimberly. Reproduced by permission.—Scene from the film version of John Steinbeck's East of Eden, starring Julie Harris, Richard Davalos, and James Dean, photograph. Warner Bros/The Kobal Collection. Reproduced by permission.—Scene from the film version of Lillian Lee's Farewell My Concubine, starring Leslie Cheung, directed by Kaige Chen, photograph. Tomson Films/China Film/Beijing/The Kobal Collection. Reproduced by permission.—Scene from the film version of Thomas Hardy's Far from the Madding Crowd, starring Julie Christie and Terence Stamp, directed by John Schlesinger, 1967, photograph. Vic/Appia/The Kobal Collection. Reproduced by permission.—Steinbeck, John, photograph. The Library of Congress.—Trotsky, Leon, photograph.—Workers at a recreation center in Wuhan (Hankow) watch a free open-air play, photograph. Hulton/Archive/Getty Images. Reproduced by permission.