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Ferrara

Ferrara, an important Renaissance city in northern Italy, took its name from the wheat (farro) cultivated in the area by the ancient Romans. During the Renaissance, Ferrara increased dramatically in size, and its prosperity came largely from the rich agricultural lands that surrounded it. The city's ruling family, the House of ESTE, provided centuries of stability and patronage* of the arts.


Este Rule. Legally, Ferrara and its territory fell under the authority of the papacy*. However, in the early 1200s the pope had granted control of the city to the House of Este. Ferrara's local government, run by male guild* members, had little real power. Whenever one Este ruler died, the council simply named another as the new signore, or lord—a position with almost absolute power in the city. The city government dealt with some matters, such as street cleaning and the maintenance of public buildings, but all decisions required the approval of the signore. The Este dukes handled foreign relations and controlled appointments to all important government positions. The citizens of Ferrara were not unhappy with the rule of the Este, who promoted public well-being. Few revolts occurred, and most of those arose out of rivalry between Este family members.

Although the Este family controlled other large territories in northern Italy, the dukes usually lived in Ferrara and its surrounding lands. Throughout the 1400s, they provided generous support for the arts, particularly architecture. The Este castle, built in 1383, went through many renovations. The Este also constructed magnificent summer palaces, built and remodeled many churches, and erected statues at prominent locations in the city.


Architecture and Court Life. By the mid-1400s, the city of Ferrara had grown beyond its medieval* walls. Two successive rulers, Borso d'Este and Ercole I d'Este, extended the city walls, nearly doubling Ferrara's enclosed area. Duke Ercole also had the city within the walls remodeled along classical* styles. Architect Biagio Rossetti widened Ferrara's main thoroughfares and straightened crooked alleys. A wide new road ran in a straight line from the north gate of the city wall to the Este castle. New public squares also brought light and air into the city. Rossetti's changes placed three important buildings—the castle, city hall, and cathedral—at the heart of the city. His work represented the first example of large-scale urban planning during the Renaissance.

Culture in Ferrara centered on the Este court. The Este dukes promoted various public spectacles. Duke Borso sponsored tournaments, while Ercole I held theatrical performances in the courtyard of his palace. Lavish musical entertainments formed part of Este weddings and the city's annual carnival. The Este also promoted more serious activities. In 1442 duke Leonello d'Este established the University of Ferrara. It had some well-known professors and many foreign students over the next 100 years. In addition, the dukes supported charitable institutions within the city. The Hospital of Santa Anna, founded in 1444, received a generous contribution from the Este.

In the late 1400s, overspending by the Este rulers led to increased taxation and discontent. Over the next century, a general neglect of both public and private property caused the city's standard of living to decline, even as the life of the Este court grew increasingly luxurious. In 1598 the pope reclaimed control of Ferrara, ending Este rule in the city.

* patronage

support or financial sponsorship

* papacy

office and authority of the pope

* guild

association of craft and trade owners and workers that set standards for and represented the interests of its members

* medieval

referring to the Middle Ages, a period that began around A.D. 400 and ended around 1400 in Italy and 1500 in the rest of Europe

* classical

in the tradition of ancient Greece and Rome

Ferrara

Copyright © 2004 Charles Scribner's Sons. Developed for Charles Scribner's Sons by Visual Education Corporation, Princeton, N.J.


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