Soon, Montag becomes so bold with the
ladies that he begins to read them poetry from one of his books. This is a traumatic experience
for the women, one of whom starts to cry. Though Montag destroys the book afterwards, to make
it seem as though he was simply demonstrating the silliness of poetry, the damage has already been done.
When Mrs. Bowles rejects Montag's "poetry lesson," the fireman can restrain himself no longer.
He tells her, "Go home and think of your first husband divorced and your second husband killed in a
jet and your third husband blowing his brains out, go home and think of the dozen abortions you've had,
go home and think of that and your damn Caesarian sections, too, and your children who hate your guts!
Go home and think how it all happened and what did you ever do to stop it?"
This ruins the social evening completely. All the
ladies leave, except Mildred, who hurries to the bathroom to take some sleeping tablets. Through
the radio-seashell, Faber hears all of this, unable to believe what Montag has said. Montag knows
that his actions may have given him away, but he takes comfort in the fact that Faber is there (in the
seashell) to teach him. Bradbury explains, "His mind would well over at last and he would not
be Montag any more, this the old man told him, assured him, promised him. He would be Montag-plus-Faber,
fire plus water. . . ." Faber rebukes Montag for his careless actions with the ladies, but admits that
mistakes can lead to wisdom. Next, earplug in place, Montag enters the fire station, ready to
do battle with Beatty. During their card game, Beatty intimidates Montag by quoting books that
cite the danger of learning. Beatty knows exactly what Montag has done, and hopes to scare him
off with his superior knowledge of literature. Indeed, Beatty seems incredibly well read, despite
his opposition to books. Bradbury doesn't explain the fire chief's history very well, but the
reader can assume that Beatty has an interesting story to tell. The captain tries to dissuade
Montag from becoming too attached to books. "Stick with the firemen, Montag. All else is
dreary chaos!" he tells him.
This scene is one of the most important in the entire novel. Montag must decide whom to believe:
Faber or Beatty. This is no easy task; Montag already feels exhausted and physically derailed
by the captain. Yet Montag has little time to collect his thoughts before the fire alarm sounds
and he finds himself racing to another house. Finally the Salamander stops-in front of Montag's
residence.
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