Section III opens with the
Harlequin urging Marlow to take Kurtz away from the station. The
Harlequin recounts how he traveled deep into the wilderness and eventually
encountered Kurtz. He again speaks of how Kurtz has opened his mind and
made him "see things." Marlow envies the Harlequin's strength to push so
deeply into the wilderness, but he doesn't envy his blind devotion to
Kurtz. The Harlequin mentions that he nursed Kurtz through two
illnesses. He also tells how Kurtz would often disappear into the jungle
for days and that he often returned with ivory. When Marlow inquires how
this was possible, since Kurtz had nothing to trade with, the Harlequin informs
him that Kurtz took the ivory forcibly. Kurtz enlisted the aide of a
local tribe, a group that he lived with and which actually worshiped him.
The Harlequin mentions that once Kurtz wanted to kill him for a small stock of
ivory he had acquired, noting that Kurtz could do such things this far from
civilization. The Harlequin mentions how Kurtz hated living in the
wilderness, but somehow he couldn't pull himself away from it. Kurtz
would often go off to live in the jungle for weeks or months. When Marlow
declares that Kurtz must be mad, the Harlequin protests, suggesting that
Marlow's opinion would be different if he actually heard Kurtz speak.
While the pair talk, Marlow scans the horizon with his binoculars. As he
focuses on the main house, he notices that the poles he had originally thought
were fence posts topped with wooden ornaments are actually poles topped with
human heads.
At this point Marlow pauses
his story to tell the men aboard the Nellie that the company claimed that
Kurtz's methods had ruined the collection of ivory in the region.
He also suggests that the heads were evidence that the wilderness had somehow
changed Kurtz, that it had uncovered certain hidden aspects of his
character.
The Harlequin mentions that
he didn't dare take the heads down; they were the heads of "rebels," in essence
those opposed to Kurtz. He also tells how the natives would crawl before
Kurtz. The Harlequin breaks down as he tells Marlow how he has done his
best to keep Kurtz alive, and how he believes Kurtz has been abandoned by the
company.
As evening approaches, a throng
of natives and the other members of the company suddenly emerge from the forest
with Kurtz carried in on a makeshift stretcher. The Harlequin comments
that Kurtz has only to say the word and they will all be killed. Marlow
cannot hear Kurtz speak, but he notes Kurtz's ghost-like, wasted appearance:
thin arms, exposed ribs, and gaunt face. Kurtz yells something, and the
natives retreat into the forest.
Kurtz is taken to a small
cabin aboard the steamer. Marlow senses that Kurtz recognizes him, believing
someone from the company must have been writing about him to Kurtz.
Marlow steps out of the cabin while the Manager has a private conversation with
Kurtz, and in the distance, along the river bank, he sees several native
warriors and a native woman.
Marlow describes the woman
as very ornately dressed. She looks fierce and wild, though almost
regal. She approaches the steamer, and when she reaches the boat, she
faces them, throws her arms skyward, and then retreats into the jungle. The
Harlequin fears the woman and suggests that he would have shot her if she had
tried to board the boat; he also notes that he has spent the past few days
trying to keep her away from the station house.
In the cabin, Marlow hears
Kurtz lashing out at the Manager, proclaiming that he isn't as sick as the
Manager might suppose. Kurtz asserts that he doesn't need to be saved,
that it is he who has saved them. He exclaims that the Manager doesn't
really care about his wellbeing, that he's only interested in the ivory.
Kurtz then stresses that he hasn't finished his work in the region yet, accuses
the manager of interfering with his plans, and vows to return to his Inner
Station. When the manager exits the cabin, he pulls Marlow aside and
tells him that Kurtz has harmed the company's efforts in the region, claiming
that Kurtz's methods are "unsound." Marlow replies that he doesn't see
any method at all, and the Manager agrees. When Marlow notes that he
still respects Kurtz, he feels that he is no longer in good graces with the
Manager. At this moment, Marlow senses a mental shift within himself; he
feels himself repelled from the Manager and all that he represents and pulled
toward the wilderness.
The Harlequin returns to
converse with Marlow, telling Marlow that he believes the men from the company
are out to get him. Marlow confirms his fears, informing the Harlequin
that he heard the Manager and his uncle discuss hanging him. This
sufficiently disturbs the Harlequin, who decides that since he can do no more for
Kurtz that he should leave the camp. Before the Harlequin departs, he
tells Marlow that Kurtz ordered the attack on the steamboat, believing that the
men from the company would think he was dead and would abandon their
mission. Kurtz, the Harlequin comments, fears that they will remove him
from the station. The Harlequin laments the fact that he will never again
hear Kurtz speak, once more noting how Kurtz had enlarged his mind.
Marlow awakens around
midnight, remembers the Harlequin's warning, and decides to have a look
around. A fire burning near the station house illuminates one of the
company agents and several native workers standing guard over the ivory.
Not too far into the forest he glimpses another fire, evidently the fire of Kurtz's
followers. From the jungle Marlow can hear chanting and the beating of
drums. He dozes but is awakened by frenzied yells from the forest.
He looks in on Kurtz and discovers that Kurtz is no longer in the cabin.
Marlow is shocked by Kurtz's disappearance, but he refuses to "betray" him by
sounding an alarm. Instead, he leaves the boat in search of Kurtz.
Marlow locates Kurtz, who is
crawling along a path, and Kurtz tells him to hide himself. Marlow asks
Kurtz if he knows what he is doing, and Kurtz replies that he is sure of
himself. Marlow sees that that they are very near the camp of Kurtz's
disciples, and he fears that if Kurtz shouts it will mean death for him.
Marlow tells Kurtz that if he doesn't return to civilization he will be utterly
"lost" in the wilderness; Kurtz ignores the comment. Marlow then
threatens to harm Kurtz if he raises an alarm, but all Kurtz can do is repeat
is that he had great plans for the region. Alone in the darkness, Kurtz
and Marlow converse, and Marlow sees that somehow Kurtz's isolation in the
wilderness awakened a very primitive and brutal nature within him. He sees
Kurtz as a man whose mind is sane but whose soul is mad, a man who has been
profoundly changed by his deep introspection. As if shouldering a heavy
burden, Marlow carries Kurtz back to the boat.
The next morning Marlow,
Kurtz, and the rest of the company men depart the Inner Station aboard the
steamer. Kurtz has been placed in the pilot house. A massive
assembly of Kurtz's followers files out of the forest and lines the riverbank,
loudly protesting as the boar pulls away. The woman Marlow saw the
previous night comes to the front of the crowd and approaches the water's
edge. She raises her arms and shouts something unintelligible; the entire
thong of natives repeats her words. Marlow asks Kurtz if he understands
the chant, and Kurtz, with a distant, longing smile, replies that he
does. Marlow notices that the company men on deck have readied their
arms, so he effectively disperses the crowd of natives by repeatedly sounding
the boat's whistle. Only the woman remains standing at the water's edge,
her arms outstretched toward the boat. As the boat pulls away, the
company men begin firing on the natives.
Marlow notes how the return
trip was much more rapid than the journey up river. Though he believes
that Kurtz's life is slipping away, he comments that the Manager seems
satisfied by the events. Marlow feels that with Kurtz's death, he too
will be ostracized. During the trip, Kurtz speaks to Marlow about his
doings and accomplishments in the wilderness; Marlow struggles to make sense of
his talk. In Marlow's mind, Kurtz's body may be ravaged, but his spirit
remains strong. The boat breaks down, and Marlow is forced to stop for
repairs. He notes that the delay somehow destroys Kurtz's
confidence. One morning Kurtz gives Marlow a bundle of papers and a
photograph, telling him to keep them from the Manager's prying eyes.
Marlow seems to be getting run down physically.
For a time, Marlow is kept
busy attending to the ship's repair, and when he next encounters Kurtz, one
evening in the small cabin, Kurtz tells him that he is awaiting death.
Marlow brushes off Kurtz's comment, but then watches as his life ebbs.
Kurtz's final words are "'The horror! The horror!'" Marlow
extinguishes the candle, exits the cabin, and joins the other men for
dinner. A short time later the Manager's personal attendant enters and
announces that Kurtz is dead. While the others rush to Kurtz's cabin,
Marlow remains seated and finishes his dinner in the dim lamplight. The
next day Kurtz is buried "in a muddy hole."
Apparently Marlow falls ill,
as he suggests that the company men nearly buried him too. Marlow notes
how he too had come to the brink of death, but unlike Kurtz he had nothing
significant to say regarding the experience. Marlow suggests that perhaps
it was because Kurtz stepped over the line into death that he had something to
say about it.
When Marlow comes to his
senses, he is back in civilization, but he laments the fact. He looks
upon the people of the city with contempt, believing them incapable of
comprehending the things he learned in the wilderness. His aunt attempts
to nurse him back to health, but he notes that his body wasn't the trouble; it
was his mind. Marlow retained the papers Kurtz gave him, refusing to give
them to the Manager on the boat and again refusing to give them to a man who
comes looking for them after his return. The man argues that the
documents are the rightful property of the company and must contain important
knowledge about the region Kurtz was occupying. Marlow replies that the
documents don't concern commerce at all and offers the man Kurtz's report to
the Society for the Suppression of Savage Customs instead. The man
refuses to take the report. Two days later another man, claiming to be
Kurtz's cousin, appears; Marlow gives this man a few unimportant letters.
Later a reporter visits Marlow, seeking information about Kurtz, and Marlow
gives this man the report for publication.
Marlow remarks that all he
retains of Kurtz's possessions are a few letters and a portrait of Kurtz's
fiancée. He decides to seek out the woman so that he may completely
divest himself of Kurtz. On his way to her house, he is haunted by his
memories of Kurtz in the jungle.
When Marlow is received at
the home of Kurtz's fiancée, it is getting dark. He notes that the woman
is dressed in black. Though it is a year after Kurtz's death, she is
still in mourning. She is not young, but seems dedicated to Kurtz's
memory. They sit together, and seeing the packets of letters she asks if
Marlow knew him well. Marlow replies that people get to know each other
in a very short time in the wilderness. He reveals that he respected
Kurtz, and she tells him that she needs to know Kurtz's last words. She
speaks of Kurtz's greatness and the great loss the world faced with his
death. She notes that for all of his greatness, nothing remains but the
memories she and Marlow possess. She again implores Marlow to repeat
Kurtz's last words. To himself, Marlow asks, "'Don't you hear them?'",
implying that Kurtz's words are echoing all around them. In the end,
however, Marlow lies and tells her that the last word Kurtz spoke was her
name. This seems to soothe her.
Marlow concludes his tale by
telling the men of the Nellie that he understands his betrayal of Kurtz's
memory, but offering the truth would have been "too dark-too dark
altogether." In the last lines of the story, the narrator comments how the
tide had changed; it was now flowing back into the ocean, to all corners of the
earth, "into the heart of an immense darkness."
Analysis
Marlow's conversation with
the Harlequin illustrates just how far Kurtz has departed from his initial
plans. Kurtz is performing some very brutal actions to acquire his ivory
and to, perhaps, satisfy his personal needs. Though it is never directly
stated, enough evidence is offered to conclude that the natives are actually
worshiping Kurtz. Whereas in Europe Kurtz had been simply one man among
many, deep in the interior he is a god, to be worshiped and feared.
Kurtz's wasted body is symbolic of his degraded morality. As Marlow
notes, his mind is clear, but his soul is corrupt.
The native woman is one of
the more interesting characters in the tale. Like the European women, she
too has benefited from the quest for ivory, for she is ornamented in it.
But she is the dark counterpart to Kurtz's fiancée back in Europe, his
"intended." Whereas his fiancée sits at home patiently awaiting her
suitor's return, the native woman actively pursues Kurtz, refusing to fear the
company men, even when they are firing upon the natives.
When the Manager claims that
Kurtz's methods are "unsound," he is applying a European definition. On
the surface, the company operates under traditional business principles; there
is a clear hierarchy or chain of command, as well as a perceived right and
wrong way to act, and the company men are expected to respect this
approach. However, the Manager's use of the term "unsound" calls into
question the soundness of his own principles. It can be argued that the
European method is just as unsound as Kurtz's method, since it so negatively
impacts the native population. Kurtz, of course, adopts his own
methods. He works alone and wants no interference from the company.
Marlow's remark that he sees no method in Kurtz's actions is not an affirmation
of Kurtz's insanity but rather an indication that Kurtz has divested himself of
all traditional, European methods. Kurtz is no longer playing by
"civilized" society's rules. It is, of course, interesting to note that
Kurtz is the most successful agent.
Kurtz's revelation to
Marlow, his recognition of "the horror" that lies at the heart of human nature,
can interpreted in many ways. Regardless of how the phrase is
interpreted, it must be recognized that it represents a significant
transformation of Kurtz's philosophy. His experiences in the inner Congo have induced a very deep soul searching; he is a markedly different man when he
dies-so too is Charlie Marlow.
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