Geoffrey Chaucer was born in London in 1340 (Fuller 12). Geoffrey Chaucer's fortunes were closely bound with these of John Of Gaunt, the son-in-law to the Earl of Derby (Fuller 12). Around the year 1380, Geoffrey Chaucer was charged with rape by a woman named Cecily Chaumpaigne (Williams 28). It is most likely that a distinguishable character, such as Chaucer would not have been guilty of this charge. However, the word "rape" probably referred to abducting rather than assaulting a woman as it means today (Halliday 68). Cecily Chaumpaigne in 1380 released Chaucer of all charges of "raptu meo," a phrase that could be interpreted as "seizing me" (Williams 28). It is possible that this allegation of rape brought on to Chaucer by Cecily Chaumpaigne, is the very reason behind the Tale of the Wife of Bath. The wife of Bath was a plump, florid, jolly, bold, lusty, and voluptuous woman. She was the most valuable of women. The wife of bath cannot resist telling her companions about all of her sexual experiences. She has had five husbands. Her husbands fell into two categories. The first category of husbands was: rich, but also old and unable to fulfill her demands, sexually that is. The other husbands were sexually vigorous, but harder to control. The first three were rich, old, and jealous. She tamed them by accusing them of promiscuous behavior, that she herself practiced. Her fourth husband had a mistress, so she "gave him a real cause for jealousy" (Halliday 119). At the funeral of her first husband she fell in love with the legs of an Oxford clerk. Although he was half her age, he became her fifth husband. This marriage was unhappy because he beat her. To anger her fifth husband, the wife of Bath tore three pages from his book. After this he beat her again. She pretended to be dead and he felt so guilty that he threw his whole book in the fire. This gave her the upper hand for the rest of his life. She presently is looking for a sixth husband when her character is introduced (Halliday 119). The tale the wife of Bath tells us all is about a Knight who ultimately rapes a maiden and is sent by the queen on a quest to seek out what it is that women want most. If he succeeds and finds the answer, he lives, if he fails, he dies. The penalty for rape in the medieval era is death. The king is ready to have the knight put to death when the queen speaks up and allows to give him the chance to live. The knight is morally raped when he gives up all his power of choice to the queen in order to live (Williams 64). The word rape is often promoted by the wife throughout the story (Williams 64). The king in the wife's tale represents authority. The king would have inflicted punishment on the knight. The queen on the other hand would have commuted his sentence to rape him back, "An eye for an eye (Williams 66)." The conclusion is triumph of her theme, tyranny. The wife is the rapist knight herself (Williams 66). The wife having created the knight and theme of rape is a perpetual self-rapist (Williams 66). There is irony in the wife's tale. Her tale is of the antifeminist cliché, that all women in their hearts desire to be raped (Williams 67). Through her tale she fulfills her desires and resolves the oppositions that she faces (Williams 69). The women of the middle ages tended to be anonymous (Evans 330). They were not soft nor sheltered, but mere property. They were at the disposal of their parents and later on husbands. They had no say in fighting, administrating, justice, or learning. These duties were taken care of by the men to take care of (Evans 330). Even though women played no role in society other than child bearing, they fell in love, became married, became divorced, and coped with problems the same as we do in the present day (Evans 3330). The wife's tale is one of struggle of power and who has the upper hand in any relationship. The wife clearly in her relationships enjoyed having the power and control of her husbands. The knight did seek what women desire most, and that is power. When someone has power over someone else than they also have control. Works Cited Evans, Joan. The Flowing Middle Ages. New York: McGraw Hill Book Company, 1966. Hallida, I.E. Chaucer and His World. New York: Viking Press, 1968. Fuller, Maurice. Chaucer and His England. Williamstown: Corner House Publishers, 1976. Williams, David. The Canterbury Tales, A Literary Pilgrimage. Boston: Twayne Publishers, 1987.